Gary Moore

One of rock's most underrated guitarists (both from a technical and compositional point of view), Gary Moore remains relatively unknown in the U.S., while his solo work has brought him substantial acclaim and commercial success in most other parts of the world -- especially in Europe. Born on April 4, 1952, in Belfast, Ireland, Moore became interested in guitar during the '60s, upon discovering such blues-rock masters as Eric Clapton, Jimi Hendrix, and perhaps his biggest influence of all, Fleetwood Mac's Peter Green. After relocating to Dublin later in the decade, Moore joined a local rock group called Skid Row, which featured a young singer by the name of Phil Lynott, who would soon after leave the group to double up on bass and form Thin Lizzy. Skid Row persevered, however, eventually opening a show for Moore's heroes, Peter Green and Fleetwood Mac, and making such an impression on the veteran group that Green personally requested their manager help secure Skid Row a recording contract with CBS (in addition, Green sold Moore one of his most-used guitars, a maple 1959 Gibson Les Paul Standard, which would become Moore's primary instrument).Skid Row would go on to issue several singles and albums (including 1970's Skid and 1971's 34 Hours), and although the group mounted a few tours of Europe and the U.S., it failed to obtain breakthrough commercial success, leading to Moore's exit from the group in 1972. Moore then formed his own outfit, the Gary Moore Band (along with members drummer Pearse Kelly and bassist John Curtis), for which the guitarist also served as vocalist. But after the trio's debut album, 1973's Grinding Stone, sunk without a trace, Moore hooked up once more with ex-bandmate Lynott in Thin Lizzy. Moore's initial tenure in Lizzy proved to be short-lived, however, as his fiery playing was featured on only a handful of tracks. Moore then set his sights on studio work (appearing on Eddie Howell's 1975 release, Gramaphone Record), before joining up with a prog rock/fusion outfit, Colosseum II. But once more, Moore's tenure in his latest outfit was fleeting; he appeared on only three recordings (1976's Strange New Flesh, plus a pair in 1977, Electric Savage and War Dance), as Moore accepted an invitation by his old buddy Lynott to fill in for a Thin Lizzy U.S. tour, playing arenas opening for Queen.Moore proved to be quite busy in 1978, as the guitarist appeared on three other artists' recordings -- Andrew Lloyd Webber's Variations, Rod Argent's Moving Home, and Gary Boyle's Electric Glide. The same year, Moore issued his second solo release (almost five years after his solo debut), Back on the Streets, which spawned a surprise Top Ten U.K. hit in May of 1979, the bluesy ballad "Parisienne Walkways," and featured vocal contributions by Lynott. Moore joined forces with his Lizzy mates once more in 1979, appearing on arguably the finest studio album of their career, Black Rose, which proved to be a huge hit in the U.K. (for a fine example of Moore's exceptional guitar skills, check out the album's epic title track). But predictably, Moore ultimately exited the group once more (this time right in the middle of a U.S. tour), as a rift had developed between Moore and Lynott. Undeterred, Moore lent some guitar work to drummer Cozy Powell's solo release, Over the Top, in addition to forming a new outfit, G Force, which would only remain together for a lone self-titled release in 1980.

During the early '80s, Moore united with former ELP guitarist/bassist/singer Greg Lake, appearing on a pair of Lake solo releases (1981's self-titled release and 1983's Manoeuvres), in addition to guesting on another Cozy Powell solo release, Octopuss. But it was also during the '80s that Moore finally got serious with his solo career -- issuing such heavy metal-based works as 1982's Corridors of Power, 1983's Victims of the Future, 1984's Dirty Fingers and the in-concert set We Want Moore!, 1985's Run for Cover, 1987's Wild Frontier, plus 1989's After the War -- establishing a large following in Europe, despite remaining virtually unknown stateside. The decade wasn't all rosy for Moore, however -- although he was able to patch up his friendship with Phil Lynott (appearing with Lizzy for several tracks on Life/Live, and teaming with Lynott for a pair of tracks in 1985, "Military Man" and "Out in the Fields," the latter a U.K. hit), years of hard living finally caught up with Lynott, leading to his passing in January of 1986. Moore would subsequently dedicate "Wild Frontier" to Lynott, and honored Thin Lizzy's former frontman on the track "Blood of Emeralds" (from After the War).Fed up with the pressure to pen hit singles and tired of his metallic musical direction, Moore returned to his blues roots for 1990's Still Got the Blues, the most renowned and best-selling release of his career, as the album featured such special guests as Albert Collins, Albert King, and George Harrison. Moore continued in his newly rediscovered blues style on such subsequent releases as 1992's After Hours and 1993's Blues Alive, before forming the short-lived supergroup BBM along with Cream's former rhythm section -- bassist Jack Bruce and drummer Ginger Baker -- which lasted for a single album, 1994's Around the Next Dream. Up next for Moore was a tribute album for Peter Green, 1995's Blues for Greeny, which saw him put his own personal stamp on 11 tracks either penned or performed at some point by Green. Moore experimented with different musical styles on his next two solo releases, 1997's Dark Days in Paradise and 1999's A Different Beat, before embracing the blues once more on his first release of the 21st century, 2001's Back to the Blues.Over the years, Gary Moore has been the subject of countless compilations, the best of the bunch being 1998's metal-oriented Collection and 2002's blues-based Best of the Blues, as well as Out in the Fields: The Very Best of Gary Moore, which was split 50/50 between his metal and blues excursions. Teaming with Skunk Anansie bassist Cass Lewis and Primal Fear drummer Darrin Mooney, Moore started work on much harder and alternative-influenced rock in the spring of 2002 and released the results as Scars. The powerful Live at Monsters of Rock from 2003 proudly declared "no overdubs used" while 2004's raw Power of the Blues featured nothing but the blues, as did 2006's Old New Ballads Blues on Eagle Records, 2007's Close As You Get (which featured some drum contributions from his old Thin Lizzy friend Brian Downey), and 2008's Bad for You Baby. This turned out to be Moore's final studio album, as he unexpectedly passed away of a suspected heart attack in the early morning hours of February 6, 2011, while vacationing in Spain.

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Aerosmith

Aerosmith were one of the most popular hard rock bands of the '70s, setting the style and sound of hard rock and heavy metal for the next two decades with their raunchy, bluesy swagger. The Boston-based quintet found the middle ground between the menace of the Rolling Stones and the campy, sleazy flamboyance of the New York Dolls, developing a lean, dirty riff-oriented boogie that was loose and swinging and as hard as a diamond. In the meantime, they developed a prototype for power ballads with "Dream On," a piano ballad that was orchestrated with strings and distorted guitars. Aerosmith's ability to pull off both ballads and rock & roll made them extremely popular during the mid-'70s, when they had a string of gold and platinum albums. By the early '80s, the group's audience had declined as the band fell prey to drug and alcohol abuse. However, their career was far from over -- in the late '80s, Aerosmith pulled off one of the most remarkable comebacks in rock history, returning to the top of the charts with a group of albums that equaled, if not surpassed, the popularity of their '70s albums. In 1970, the first incarnation of Aerosmith formed when vocalist Steven Tyler met guitarist Joe Perry while working at a Sunapee, New Hampshire, ice cream parlor. Tyler, who originally was a drummer, and Perry decided to form a power trio with bassist Tom Hamilton. The group soon expanded to a quartet, adding a second guitarist called Ray Tabano; he was quickly replaced by Brad Whitford, a former member of Earth Inc. With the addition of drummer Joey Kramer, Tyler became the full-time lead singer by the end of year. Aerosmith relocated to Boston at the end of 1970. After playing clubs in the Massachusetts and New York areas for two years, the group landed a record contract with Columbia Records in 1972. Aerosmith's self-titled debut album was released in the fall of 1973, climbing to number 166. "Dream On" was released as the first single and it was a minor hit, reaching number 59. For the next year, the band built a fan base by touring America, supporting groups as diverse as the Kinks, Mahavishnu Orchestra, Sha Na Na, and Mott the Hoople. The performance of Get Your Wings (1974), the group's second album and the first produced by Jack Douglas, benefited from their constant touring, spending a total of 86 weeks on the chart.

Aerosmith's third record, 1975's Toys in the Attic, was their breakthrough album both commercially and artistically. By the time it was recorded, the band's sound had developed into a sleek, hard-driving hard rock powered by simple, almost brutal, blues-based riffs. Many critics at the time labeled the group as punk rockers, and it's easy to see why -- instead of adhering to the world music pretensions of Led Zeppelin or the prolonged gloomy mysticism of Black Sabbath, Aerosmith stripped heavy metal to its basic core, spitting out spare riffs that not only rocked, but rolled. Steven Tyler's lyrics were filled with double entendres and clever jokes, and the entire band had a streetwise charisma that separated it from the heavy, lumbering arena rockers of the era. Toys in the Attic captured the essence of the newly invigorated Aerosmith. "Sweet Emotion," the first single from Toys in the Attic, broke into the Top 40 in the summer of 1975, with the album reaching number 11 shortly afterward. Its success prompted the re-release of the power ballad "Dream On," which shot into the Top Ten in early 1976. Both Aerosmith and Get Your Wings climbed back up the charts in the wake of Toys in the Attic. "Walk This Way," the final single from Toys in the Attic, was released around the time of the group's new 1976 album, Rocks. Although it didn't feature a Top Ten hit like "Walk This Way," Rocks went platinum quickly, peaking at number three.In early 1977, Aerosmith took a break and prepared material for their fifth album. Released late in 1977, Draw the Line was another hit, climbing to number 11 on the U.S. charts, but it showed signs of exhaustion. In addition to another tour in 1978, the band appeared in the movie Sgt. Pepper's Lonely Hearts Club Band, performing "Come Together," which eventually became a number 23 hit. Live! Bootleg appeared late in 1978 and became another success, reaching number 13. Aerosmith recorded Night in the Ruts in 1979, releasing the record at the end of the year. By the time of its release, Joe Perry had left the band to form the Joe Perry Project. Night in the Ruts performed respectably, climbing to number 14 and going gold, yet it was the least successful Aerosmith record to date. Brad Whitford left the group in early 1980, forming the Whitsford-St. Holmes Band with former Ted Nugent guitarist Derek St. Holmes.As Aerosmith regrouped with new guitarists Jimmy Crespo and Rick Dufay, the band released Aerosmith's Greatest Hits in late 1980; the record would eventually sell over six million copies. The new lineup of Aerosmith released Rock in a Hard Place in 1982. Peaking at number 32, it failed to match the performance of Night in the Ruts. Perry and Whitford returned to the band in 1984 and the group began a reunion tour dubbed Back in the Saddle. Early in the tour, Tyler collapsed on-stage, offering proof that the bandmembers hadn't conquered their notorious drug and alcohol addictions. The following year, Aerosmith released Done with Mirrors, the original lineup's first record since 1979 and their first for Geffen Records. Although it didn't perform as well as Rock in a Hard Place, the album showed that the band was revitalized.After the release of Done with Mirrors, Tyler and Perry completed rehabilitation programs. In 1986, the pair appeared on Run-D.M.C.'s cover of "Walk This Way," along with appearing in the video. "Walk This Way" became a hit, reaching number four and receiving saturation airplay on MTV. "Walk This Way" set the stage for the band's full-scale comeback effort, the Bruce Fairbairn-produced Permanent Vacation (1987). Tyler and Perry collaborated with professional hard rock songwriters like Holly Knight and Desmond Child, resulting in the hits "Dude (Looks Like a Lady)," "Rag Doll," and "Angel." Permanent Vacation peaked at number 11 and sold over three million copies.Pump, released in 1989, continued the band's winning streak, reaching number five, selling over four million copies, and spawning the Top Ten singles "Love in an Elevator," "Janie's Got a Gun," and "What It Takes." Aerosmith released Get a Grip in 1993. Like Permanent Vacation and Pump, Get a Grip was produced by Bruce Fairbairn and featured significant contributions by professional songwriters. The album was as successful as the band's previous two records, featuring the hit singles "Livin' on the Edge," "Cryin'," and "Amazing." In 1994, Aerosmith released Big Ones, a compilation of hits from their Geffen years that fulfilled their contract with the label; it went double platinum shortly after its release.

While Aerosmith was at the height of their revitalized popularity in the early '90s, the group signed a lucrative multi-million dollar contract with Columbia Records, even though they still owed Geffen two albums. It wasn't until 1995 that the band was able to begin working on their first record under the new contract -- nearly five years after the contract was signed. The making of Aerosmith albums usually had been difficult affairs, but the recording of Nine Lives was plagued with bad luck. The band went through a number of producers and songwriters before settling on Kevin Shirley in 1996. More damaging, however, was the dismissal of the band's manager, Tim Collins, who'd been responsible for bringing the band back from the brink of addiction. Upon his firing, Collins insinuated that Steven Tyler was using hard drugs again, an allegation that Aerosmith adamantly denied.Under such circumstances, recording became quite difficult, and when Nine Lives finally appeared in the spring of 1997, it was greeted with great anticipation, yet the initial reviews were mixed and even though album debuted at number one, it quickly fell down the charts. The live A Little South of Sanity followed in 1998. Three years later, Aerosmith strutted their stuff on the Super Bowl halftime special on CBS with the likes of Mary J. Blige, Nelly, *NSYNC, and Britney Spears, just prior to issuing their heart-stomping Just Push Play in March 2001. Next up for the band was a blues album, Honkin' on Bobo, released in 2004, along with two live album/DVDs, You Gotta Move and Rockin' the Joint. Another greatest-hits collection, Devil's Got a New Disguise: The Very Best of Aerosmith arrived in 2006.From there, Aerosmith entered a period of volatility. A world tour followed in 2007 and the group attempted to record a new studio album with producer Brendan O'Brien but the sessions were never finalized. Instead, another tour followed in 2009, this time a supporting jaunt for Aerosmith's own special edition of the Guitar Hero video game. This tour proved to be ill-fated, with Steven Tyler suffering a leg injury in June, then falling off the stage in August, leading to the cancellation of the subsequent dates. As 2009 came to a close, Joe Perry released a solo album called Have Guitar, Will Travel as Tyler announced that he was planning on "working on the brand of myself," which included working on an autobiography and a solo album, along with a stint in rehab to wean himself off painkillers prescribed due to his stage injuries.Before Tyler embarked on solo projects, he returned to the band for a series of concerts in 2010, in the midst of which it was announced that the singer would be a new judge on the televised singing competition American Idol. Perry voiced his dissatisfaction in the press but Tyler's time on American Idol helped raise the band's profile, while providing a platform for Tyler's memoir, Does the Noise in My Head Bother You? The book performed better than his two solo singles -- 2010's "Love Lives" and 2011's "(It) Feels So Good" -- singles that did not wind up signaling his departure from Aerosmith. Tyler continued to tour with the band and in 2011 they recorded a new album with producer Jack Douglas, the man who helmed their classic '70s LPs. Originally scheduled for release in summer of 2012, Music from Another Dimension! wound up being pushed back to that year's holiday season, by which time Tyler had departed his judgeship on American Idol.

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Glenn Hughes

Starting out as the bassist and lead vocalist for English hard rockers Trapeze (which evolved from British soulsters the News) in 1969, Glenn Hughes achieved his greatest fame as the bass player of Deep Purple from 1974 until the group split in 1976. Hughes subsequently reconvened Trapeze (with no records resulting) and issued his solo debut, Play Me Out, in 1978. His next effort, recorded with guitarist Pat Thrall under the name Hughes/Thrall, appeared in 1983, and worked in the supergroup Phenomena in 1985. Hughes then joined Black Sabbath as lead singer for 1986's The Seventh Star, departing after that album and eventually surfacing with -- of all artists -- the techno/house group the KLF, performing on their 1991 single "America -- What Time Is Love?." In 1993, Mike Varney's Shrapnel label issued the new Hughes solo album Blues, on which he played bass and sang with an array of guest guitarists. A string of solo releases followed through the '90s, including 1995's Burning Japan Live, 1997's Addiction (which addressed some of the personal problems that had kept Hughes out of recording for most of the latter half of the '80s), and 1999's The Way It Is. Mid-2000 saw the release of Return to Crystal Karma and Feel. The bluesy Building the Machine hit the shelves in 2001 while 2002's Hughes Turner Project coupled the bassist with another Deep Purple alumni, Joe Lynn Turner. Songs in the Key of Rock appeared in 2003, followed by Soul Mover in 2005.

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Rotting Christ

Rotting Christ are one of the most influential, long-running metal bands to hail from Greece. Their sound has shifted over the years from grindcore to black metal to dark/gothic metal, blurring styles and incorporating folk and early music influences. The band has been the subject of controversy due to their name, with conservatives criticizing the group, and even other metal bands refusing to be booked on the same bill as them. While the group maintains a staunchly anti-Christian stance, their lyrics are usually centered around occultism and mythology rather than Satanism. Passage to Arcturo The group's co-founders, Athens-based brothers Sakis (vocals/guitar) and Themis Tolis (drums), initially started a band called Black Church in 1985. They later established Rotting Christ as a grindcore band in 1987, releasing a few demo cassettes and split EPs. After Jim "Mutilator" Patsouris became the group's bass player, they moved toward a black metal sound. However, nationwide attention as a second-generation black metal act didn't start until the release of their 1991 EP, Passage to Arcturo. After adding a keyboard player to their lineup (George Zaharopoulos) and hooking up with France's Osmose Records, their first full-length, Thy Mighty Contract, was released in 1993, followed by Non Serviam a year later. Clearly showing off their Venom and Celtic Frost influences with those two releases, Rotting Christ established themselves as one of the premier European underground metal acts, as they toured with bands such as Immortal and Blasphemy.

After the departure of Zaharopoulos and the addition of guitarist Costas Vassilakopoulos, and recording 1996's Triarchy of the Lost Lovers, a deal was secured with Century Media Records, meaning that Rotting Christ were finally getting distribution on both sides of the North Atlantic. The group began to incorporate more of a goth metal influence into their sound on this album. In 1997, Andreas Lagios replaced Mutilator as the group's bassist, and Georgios Tolias became their new keyboard player. The band's melancholy, keyboard-driven full-length A Dead Poem (1997) featured much slower tempos than prior works, including acoustic guitars and less black metal. Following their 1999 album, Sleep of the Angels, which continued in this slower, lighter direction, the group toured the United States for the first time, as well as undertaking an epic European tour with Deicide, Behemoth, Ancient Rites, and Aeternus.

Rotting Christ's seventh full-length, 2000's Khronos, co-produced by Hypocrisy's Peter Tägtgren, was a partial return to their earlier, more extreme sound, but it blended their harder style with gothic and industrial elements, including a cover of Current 93's "Lucifer Over London." On 2002's Genesis, they blackened their sound further. Following this album, guitarist Vassilakopoulos and keyboard player Tolias both left the group, and Sakis Tolis played both guitars and keyboards. The group released Sanctus Diavolos in 2004. The album featured choral vocals and a guest solo by Firewind guitarist Gus G.

After Nightfall guitarist Giorgio Bokos joined the band in 2005, they decided to change labels and signed with Season of Mist. The atmospheric Theogonia was released by the label in 2007, and was one of the group's most acclaimed releases. The group celebrated 20 years of existence with a retrospective compilation, Thanatiphoro Anthologio, and a live DVD/CD box set, Non Serviam: A 20 Year Apocryphal Story, appeared two years later. 2010 album Aealo, the group's 11th, was one of their most ambitious works to date, featuring numerous female vocal choirs and a guest appearance from Diamanda Galás on a cover version of her song "Orders from the Dead."

After playing their 1,000th concert and undergoing another lineup change (with George Emmanuel replacing Bokos on guitar and Vaggelis Karzis becoming the group's bassist in place of Lagios), Kata Ton Daimona Eaytoy arrived in 2013. The album delved deeper into mythology than any of the group's prior releases, and incorporated more diverse instrumentation, including bagpipes and horns. The group performed in India and Sri Lanka for the first time in 2014, and toured America with Mayhem and Watain in 2015. A live album titled Lucifer Over Athens was released that year. The group's 13th proper full-length, Rituals, appeared in February of 2016.

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The Gathering

Creative, classy and highly refined "symphonic metal" outfit from Holland. First album (Always, 1993) was a fairly straightforward death metal album, although heavy use of keyboards made it stand out a bit from other such albums at the time. Followed by Almost A Dance (1994), an album which saw the departure of "growling" vocalist Bart Smits. Smits was replaced primarily by Niels Duffhues, a strange choice for the band; Duffhues' punk-ish tone was decidedly out of step with the music, and the album was largely written off as a result. A shame, because many of the songs on Almost A Dance are quite well written. The album also featured occasional vocals by Martine van Loon, a low-key singer with a pretty tone but one that seldom took to the forefront of a composition. It would appear that the seed had been planted in the band's head to try their uniquely compelling songwriting style with a passionate female vocalist; the result was the addition of the incomparable Anneke van Giersbergen, an incredible singer capable of stretching miles of emotion out of each and every syllable. The next album, 1995's Mandylion, remains one of the very best heavy metal albums ever recorded. van Giersbergen's poetic and haunting lyrics, paired with the band's orchestral ruminations, resulted in darkly important songs that seamlessly blend from one to the next. The follow-up, 1997's Nighttime Birds, acts as a companion piece to Mandylion: similar in tone and delivery, Birds is filled with the melodic and adventurous play that has become the trademark of this very important band. Superheat and If-Then-Else followed in early 2000. After a break with Century Media following the release of If_Then_Else, the band took time off before going into the studio to work on the 2003-released followup Souvenirs. The Gathering will be of interest to more than just heavy metal fans: they have the potential to appeal to countless different audiences, from metal to progressive rock to anyone who values excellent songwriting and powerful female vocalists.

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After Forever

Originating in Holland, After Forever represent a distinctly new-millennium breed of heavy metal band -- one rooted in familiar styles such as doom, Gothic and power metal, but utilizing the seemingly contradictory element of a sweet, female voice to offset the music's reigning aggression. In their case, this vocalist is operatically trained soprano Floor Jansen, whose contributions bring bands like the Gathering, Tristania, and Nightwish to mind. Alongside guitarists Sander Gommans and Mark Jansen, bassist Luuk van Gerven, keyboardist Jack Driessen, and drummer Joep Beckers, she helped transform mid-'90s metal band Apocalyps into After Forever while most members were still in their teens. Signing with Transmission Records, the band issued their debut album, Prison of Desire to great acclaim in the year 2000, then quickly followed it with 2001's more refined Decipher (featuring new keyboard player Lando van Gils, and drummer Andre Borgman). With their profile now rising fast (at least domestically), two singles, "Emphasis" and "Monolith of Doubt," were extracted from the latter album to title E.P. releases, and Floor also found time to lend her talents to space-metal composer Arjen Anthony Lucassen's vaunted Star One project. 2003 saw the release of an EP/DVD named Exordium & Insights, and after replacing original guitarist Mark Jansen with Bas Maas, After Forever released their third full-length album in 2004's Invisible Circles.

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Sirenia

Somehow, leading Norway's Tristania to the top of the goth metal heap wasn't enough for vocalist/guitarist Morten Veland, who unilaterally seceded from the union in the year 2000 to found a brand-spanking-new though similar-sounding band named Sirenia. Picking up pretty much where he'd left off stylistically, Veland hand-picked compatriots Kristian Gundersen (clean vocals, guitar), Hans Henrik Varland (keyboards), and French singer Fabienne Gondamin to quickly perform on the following year's At Sixes and Sevens debut. He and Gundersen then found a more permanent support staff in vocalist Henriette Bordvik and drummer Jonathan Perez to work on their 2003 follow-up, An Elixir for Existence. An EP, Sirenian Shores arrived in 2005, followed by the full-length Nine Destinies and a Downfall in 2007.

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Depeche Mode

Originally a product of Britain's new romantic movement, Depeche Mode went on to become the quintessential electropop band of the 1980s. One of the first acts to establish a musical identity based completely around the use of synthesizers, they began their existence as a bouncy dance-pop outfit but gradually developed a darker, more dramatic sound that ultimately positioned them as one of the most successful alternative bands of their era.The roots of Depeche Mode date to 1976, when Basildon, England-based keyboardists Vince Clarke and Andrew Fletcher first teamed to form the group No Romance in China.The band proved short-lived, and by 1979 Clarke had formed French Look, another duo featuring guitarist/keyboardist Martin Gore; Fletcher soon signed on, and the group rechristened itself Composition of Sound.Initially, Clarke handled vocal chores, but in 1980 singer David Gahan was brought in to complete the lineup. After one final name change to Depeche Mode, the quartet members jettisoned all instruments excluding their synthesizers, honing a slick, techno-based sound to showcase Clarke's catchy melodies. Speak & Spell After building a following on the London club scene, Depeche Mode debuted in 1980 with "Photographic," a track included on the Some Bizzare Album label compilation. After signing to Mute Records, they issued "Dreaming of Me" in early 1981; while neither the single nor its follow-up, "New Life," caused much of a stir, their third effort, "Just Can't Get Enough," became a Top Ten U.K. hit, and their 1981 debut LP, Speak and Spell, was also a success. Just as Depeche Mode appeared poised for a major commercial breakthrough, however, principal songwriter Clarke abruptly exited to form Yazoo with singer Alison Moyet, leaving the group's future in grave doubt.

As Gore grabbed the band's songwriting reins, the remaining trio recruited keyboardist Alan Wilder to fill the technological void created by Clarke's departure. While 1982's A Broken Frame deviated only slightly from Depeche Mode's earlier work, Gore's ominous songs grew more assured and sophisticated by the time of 1983's Construction Time Again. Some Great Reward, issued the following year, was their artistic and commercial breakthrough, as Gore's dark, kinky preoccupations with spiritual doubt ("Blasphemous Rumours") and psychosexual manipulation ("Master and Servant") came to the fore; the egalitarian single "People Are People" was a major hit on both sides of the Atlantic and typified the music's turn toward more industrial textures.

Released in 1986, the atmospheric Black Celebration continued the trend toward grim melancholy and further established the group as a commercial force; it eventually sold over 500,000 copies in the U.S., which earned it gold status. Released in 1987, Music for the Masses, featuring three Hot 100 singles in "Strangelove," "Never Let Me Down Again," and "Behind the Wheel," propelled the group into the mainstream. The album would sell over a million copies in the U.S. alone. A subsequent sold-out tour yielded the 1989 double live set 101. Recorded at the Rose Bowl in Pasadena, California, it was accompanied by a concert film directed by the legendary D.A. Pennebaker.

With the alternative music boom of the early '90s, Depeche Mode emerged as one of the world's most successful acts. The triple-platinum Violator, released in 1990, was a Top Ten smash that spawned the hits "Personal Jesus" (a number eight single), "Enjoy the Silence," "Policy of Truth," and "World in My Eyes." Their 1993 LP Songs of Faith and Devotion -- featuring a significant change in its heavy use of electric guitars -- entered the charts in the number one slot. However, at the peak of its success, the group began to unravel, beginning with Wilder's 1995 exit. Gahan attempted to take his own life and later entered a drug rehabilitation clinic to battle an addiction to heroin.

After a four-year layoff, Depeche Mode continued onward as a trio and released 1997's Ultra, which featured the hits "Barrel of a Gun" and "It's No Good." A year later, the band embarked on a tour in support of its newly released hits album, The Singles 86>98. Depeche Mode played 64 shows in 18 countries for over one million fans. Each member took some considerable time off after the tour's completion, and Depeche Mode would not regroup for another three years.

Exciter, the band's follow-up to Ultra, was released in 2001, with the singles "Dream On" and "I Feel Loved" finding moderate success on international radio outlets. Two years later, Gahan issued his debut solo album, the dark and sultry Paper Monsters. Gore also followed suit by issuing the all-covers Counterfeit², a full-length sequel to his similarly themed 1989 EP. Each member supported his work with respective tours of the U.S. and Europe; however, the bandmembers soon resumed working together, and Playing the Angel, their 11th studio album, became a Top Ten hit upon its release in October 2005. Produced by Ben Hillier (Doves, Blur, U2, Elbow) and studded with singles like "Precious" and "John (The Revelator)," it topped the album charts in 18 countries and went multi-platinum and/or gold in 20 countries. Depeche Mode went on to play for more than two and a half million fans worldwide, and the 2006 video release Touring the Angel: Live in Milan captured one of the band's greatest shows.

Sounds of the Universe, also made with the assistance of Ben Hillier, arrived in early 2009 and debuted at number three in the U.S. The 2013 release of Delta Machine made for a trilogy of Hillier albums, while the album was mixed by longtime Depeche associate Flood. The concert film and album Live in Berlin (directed by Anton Corbijn from a late-2013 show) followed in November 2014.

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Nightwish

Following in the footsteps of the Gathering and Lacuna Coil (goth-influenced "symphonic" metal bands with female vocalists), Nightwish were formed in Kitee, Finland, in 1997 by keyboardist Tuomas Holopainen. Initially attempting to create acoustic music, he recruited trained opera vocalist Tarja Turunen, but soon added full metal band instrumentation in the persons of guitarist Emppo Vuorinen, bassist Sami Vänskä, and drummer Jukka Nevalainen. Nightwish's demos landed them a contract with the Finnish label Spinefarm, which released their debut album, Angels Fall First, in late 1997 (it appeared in the rest of Europe the following year).The follow-up, Oceanborn, appeared in late 1998 and

made Nightwish a bona fide mainstream success in their homeland; the album reached the Finnish Top Five and spun off three Top Ten singles. Nightwish toured Europe heavily, consolidating their success, and in 2000 recorded their third album, Wishmaster. Not only did it top the Finnish charts, but it also became the group's first album to be released in the U.S. (by Century Media, which reissued their previous albums in 2001 as well). Released in 2002, Century Child proved a massive hit in Finland and around Europe, but 2004's Once saw them go one step further and conquer Europe. Number one in Germany and number one in the European Top 100, Once's success was the product of a band at the top of its game following years of hard work. Marco Hietala was now on bass, replacing Sami Vänskä, while in 2005 Swedish singer Anette Olzon replaced Tarja Turunen, who was fired for personal reasons. Dark Passion Play (2007) and the concept album Imaginaerum (2011) both featured Olzon before she and the band parted ways in 2012, halfway through the band's world tour.

At short notice, ex-After Forever frontwoman Floor Jansen stepped in to take over on lead vocal duties; the immense pressures on her were later revealed in the behind-the-scenes film Please Learn the Setlist in 48 Hours. Jansen's powerful voice was a perfect fit for Nightwish. She was embraced immediately by their passionate fans, and was soon made a permanent member, alongside English piper Troy Donockley. Nightwish's first commercial release with Jansen was 2013's live album Showtime, Storytime, which documented their triumphant show at that year's Wacken Open Air metal festival in front of an 85,000-strong crowd. Endless Forms Most Beautiful, the group's eighth studio album and first with Jansen on board, followed in early 2015.

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Within Temptation

Goth metal stars Within Temptation marry the guitar-driven force of hard rock with the sweep and grandeur of symphonic music, and the results have made them one of the most popular bands ever in the Netherlands. Within Temptation were formed in 1996 by guitarist Robert Westerholt and vocalist Sharon den Adel, who are partners on stage and off. Within Temptation's early material caught the attention of the Dutch label DSFA, which signed the group to a record deal; the band's first album, Enter, was released in 1997. Up until this time, Within Temptation had been a studio project, but the success of the album led to invitations to play several live shows, including the Dynamo Music Festival, one of the biggest live music events in the Netherlands.Within Temptation demonstrated their strength as a concert act, and began playing Germany, Austria, Belgium, and the Czech Republic. Booked to play Dynamo's main stage in 1998, Within Temptation felt recording new material was in order, and they released the Dance EP for the occasion. Shortly afterwards, Within Temptation went on hiatus as the group's members dealt with personal commitments and Westerholt and den Adel built a studio for their ambitious recording projects.

In late 2000, Within Temptation returned with their second full-length album (and first for Sony), Mother Earth, and the band continued to appear at major music festivals in Europe and the Netherlands; the album was a major commercial success, and the song "Ice Queen" was released as a single, rising to number two on the Dutch charts. After several years of steady touring (including major festival appearances in France and Mexico), Within Temptation returned to the studio to record their third album, 2004's The Silent Force, an ambitious project featuring a full orchestra and 80-voice choir accompanying the band. It was their first disc to be released simultaneously in the Netherlands and elsewhere in Europe, and became a major commercial success, going platinum at home and reaching the Top Ten in Germany, Belgium, Spain, and Finland. Having become the Netherlands' best-selling international act, Within Temptation finally landed an American record deal with the venerable metal imprint Roadrunner, which released their fourth album, The Heart of Everything, in 2007. Black Symphony, a live CD/DVD recorded at the Ahoy Arena in Rotterdam with a full choir and orchestra, followed in 2008.

Their 2011 effort The Unforgiving was a concept album heavily influenced by '80s pop and rock, and supported by a series of short films as well as a comic book written by Steven O’Connell. It was a great commercial success, hitting the top ten in seven European countries, and the band toured heavily in promotion of it. In 2012 the band's contract with Roadrunner came to an end and they decided to self-release their next album, signing distribution deals with Nuclear Blast for the USA and, strangely, Dramatico, Mike Batt's pop label and home to Katie Melua, for the UK. Their sixth album, Hydra, was slated for release in February 2014 and saw them branching out into a number of new and unexpected styles, as symbolized by the titular, many-headed mythical beast. It included guest vocal performances by Howard Jones of Killswitch Engage, Soul Asylum's Dave Pirner, rapper Xzibit, and former Nightwish vocalist Tarja Turunen on the single "Paradise (What About Us?)."

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3 Doors Down

Hailing from the small town of Escatawpa, Mississippi, 3 Doors Down hit their peak in the 2000s with a string of post-grunge singles, most notably "Kryptonite," "When I'm Gone," and the ballad "Here Without You." "Kryptonite," with its minor-key shuffle and references to Superman, was the catalyst for the band's career, generating an unprecedented buzz at a local radio station -- Biloxi's WCPR -- during the band's independent days. Such support helped make 3 Doors Down a regional favorite, enabling them to draw relatively large crowds to their local live shows and, consequently, extending their popularity beyond the Deep South to internationally famous clubs like New York's CBGB.

The founding members of 3 Doors Down -- vocalist/drummer Brad Arnold, guitarist Matt Roberts, and bassist Todd Harrell -- were raised in Escatawpa, a cozy town of 8,000 people. Although brought up in religious households, the musicians also felt the call of rock & roll at an early age, eventually forming a rock trio in 1994 to play a friend's backyard party. As the years progressed, so did the band's sound, and the group soon added guitarist Chris Henderson and retained a studio drummer so that Arnold could come forward and sing live. After touring the Gulf Coast's venues, the band made its way to New York, where a showcase at CBGB brought 3 Doors Down to the attention of Republic Records. A subsidiary of Universal, Republic Records signed the musicians and issued their major-label debut, The Better Life, in early 2000. The Better Life became one of the biggest-selling albums of 2000, going platinum four times during its first year of release and spawning several singles. The band furthered its success with 2002's Away from the Sun, which debuted at number eight on the Billboard Top 200 and, like its predecessor, climbed to multi-platinum status. 3 Doors Down toured steadily throughout 2003 and 2004 in support of Away from the Sun, and issued the live EP Another 700 Miles in November 2003 as a holdover between studio efforts. The group returned with a heavier album, Seventeen Days, in early 2005. It debuted at number one on the Billboard 200 and went platinum in its first week of release. A self-titled album, which followed in May 2008, repeated its predecessor's success when it too debuted at the top of the Billboard 200.

3 Doors Down toured throughout 2009, released a digital-only acoustic holiday album at the end of the year, and began to work on their next album in 2010. With Howard Benson serving as producer, the guys shuttled themselves between L.A. and Tokyo, recording the album in both cities and eventually emerging with 2011's Time of My Life. The following year saw the release of the band's first Greatest Hits collection, which featured three brand-new tracks. These songs also offered fans their first look at incoming guitarist and former guitar tech Chet Roberts, who replaced founding member Matt Roberts (no relation). By 2013, bassist Todd Harrell had also departed, opening the door for another new member, Justin Biltonen. Sporting a new lineup, 3 Doors Down set about recording their sixth LP with producer Matt Wallace. Us and the Night appeared in March 2016.

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