Rotting Christ

Rotting Christ are one of the most influential, long-running metal bands to hail from Greece. Their sound has shifted over the years from grindcore to black metal to dark/gothic metal, blurring styles and incorporating folk and early music influences. The band has been the subject of controversy due to their name, with conservatives criticizing the group, and even other metal bands refusing to be booked on the same bill as them. While the group maintains a staunchly anti-Christian stance, their lyrics are usually centered around occultism and mythology rather than Satanism. Passage to Arcturo The group's co-founders, Athens-based brothers Sakis (vocals/guitar) and Themis Tolis (drums), initially started a band called Black Church in 1985. They later established Rotting Christ as a grindcore band in 1987, releasing a few demo cassettes and split EPs. After Jim "Mutilator" Patsouris became the group's bass player, they moved toward a black metal sound. However, nationwide attention as a second-generation black metal act didn't start until the release of their 1991 EP, Passage to Arcturo. After adding a keyboard player to their lineup (George Zaharopoulos) and hooking up with France's Osmose Records, their first full-length, Thy Mighty Contract, was released in 1993, followed by Non Serviam a year later. Clearly showing off their Venom and Celtic Frost influences with those two releases, Rotting Christ established themselves as one of the premier European underground metal acts, as they toured with bands such as Immortal and Blasphemy.
After the departure of Zaharopoulos and the addition of guitarist Costas Vassilakopoulos, and recording 1996's Triarchy of the Lost Lovers, a deal was secured with Century Media Records, meaning that Rotting Christ were finally getting distribution on both sides of the North Atlantic. The group began to incorporate more of a goth metal influence into their sound on this album. In 1997, Andreas Lagios replaced Mutilator as the group's bassist, and Georgios Tolias became their new keyboard player. The band's melancholy, keyboard-driven full-length A Dead Poem (1997) featured much slower tempos than prior works, including acoustic guitars and less black metal. Following their 1999 album, Sleep of the Angels, which continued in this slower, lighter direction, the group toured the United States for the first time, as well as undertaking an epic European tour with Deicide, Behemoth, Ancient Rites, and Aeternus.
Rotting Christ's seventh full-length, 2000's Khronos, co-produced by Hypocrisy's Peter Tägtgren, was a partial return to their earlier, more extreme sound, but it blended their harder style with gothic and industrial elements, including a cover of Current 93's "Lucifer Over London." On 2002's Genesis, they blackened their sound further. Following this album, guitarist Vassilakopoulos and keyboard player Tolias both left the group, and Sakis Tolis played both guitars and keyboards. The group released Sanctus Diavolos in 2004. The album featured choral vocals and a guest solo by Firewind guitarist Gus G.
After Nightfall guitarist Giorgio Bokos joined the band in 2005, they decided to change labels and signed with Season of Mist. The atmospheric Theogonia was released by the label in 2007, and was one of the group's most acclaimed releases. The group celebrated 20 years of existence with a retrospective compilation, Thanatiphoro Anthologio, and a live DVD/CD box set, Non Serviam: A 20 Year Apocryphal Story, appeared two years later. 2010 album Aealo, the group's 11th, was one of their most ambitious works to date, featuring numerous female vocal choirs and a guest appearance from Diamanda Galás on a cover version of her song "Orders from the Dead."
After playing their 1,000th concert and undergoing another lineup change (with George Emmanuel replacing Bokos on guitar and Vaggelis Karzis becoming the group's bassist in place of Lagios), Kata Ton Daimona Eaytoy arrived in 2013. The album delved deeper into mythology than any of the group's prior releases, and incorporated more diverse instrumentation, including bagpipes and horns. The group performed in India and Sri Lanka for the first time in 2014, and toured America with Mayhem and Watain in 2015. A live album titled Lucifer Over Athens was released that year. The group's 13th proper full-length, Rituals, appeared in February of 2016.
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The Gathering

Creative, classy and highly refined "symphonic metal" outfit from Holland. First album (Always, 1993) was a fairly straightforward death metal album, although heavy use of keyboards made it stand out a bit from other such albums at the time. Followed by Almost A Dance (1994), an album which saw the departure of "growling" vocalist Bart Smits. Smits was replaced primarily by Niels Duffhues, a strange choice for the band; Duffhues' punk-ish tone was decidedly out of step with the music, and the album was largely written off as a result. A shame, because many of the songs on Almost A Dance are quite well written. The album also featured occasional vocals by Martine van Loon, a low-key singer with a pretty tone but one that seldom took to the forefront of a composition. It would appear that the seed had been planted in the band's head to try their uniquely compelling songwriting style with a passionate female vocalist; the result was the addition of the incomparable Anneke van Giersbergen, an incredible singer capable of stretching miles of emotion out of each and every syllable. The next album, 1995's Mandylion, remains one of the very best heavy metal albums ever recorded. van Giersbergen's poetic and haunting lyrics, paired with the band's orchestral ruminations, resulted in darkly important songs that seamlessly blend from one to the next. The follow-up, 1997's Nighttime Birds, acts as a companion piece to Mandylion: similar in tone and delivery, Birds is filled with the melodic and adventurous play that has become the trademark of this very important band. Superheat and If-Then-Else followed in early 2000. After a break with Century Media following the release of If_Then_Else, the band took time off before going into the studio to work on the 2003-released followup Souvenirs. The Gathering will be of interest to more than just heavy metal fans: they have the potential to appeal to countless different audiences, from metal to progressive rock to anyone who values excellent songwriting and powerful female vocalists.
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After Forever

Originating in Holland, After Forever represent a distinctly new-millennium breed of heavy metal band -- one rooted in familiar styles such as doom, Gothic and power metal, but utilizing the seemingly contradictory element of a sweet, female voice to offset the music's reigning aggression. In their case, this vocalist is operatically trained soprano Floor Jansen, whose contributions bring bands like the Gathering, Tristania, and Nightwish to mind. Alongside guitarists Sander Gommans and Mark Jansen, bassist Luuk van Gerven, keyboardist Jack Driessen, and drummer Joep Beckers, she helped transform mid-'90s metal band Apocalyps into After Forever while most members were still in their teens. Signing with Transmission Records, the band issued their debut album, Prison of Desire to great acclaim in the year 2000, then quickly followed it with 2001's more refined Decipher (featuring new keyboard player Lando van Gils, and drummer Andre Borgman). With their profile now rising fast (at least domestically), two singles, "Emphasis" and "Monolith of Doubt," were extracted from the latter album to title E.P. releases, and Floor also found time to lend her talents to space-metal composer Arjen Anthony Lucassen's vaunted Star One project. 2003 saw the release of an EP/DVD named Exordium & Insights, and after replacing original guitarist Mark Jansen with Bas Maas, After Forever released their third full-length album in 2004's Invisible Circles.
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